In February, I felt particularly lucky to be escorted the entirety of my hike by robins. They were busy stripping the stands of toyon of their berries, swooping here and there, calling to each other and scolding me. They would let me get close to them and stand under the bushes for a while, but then they would move away one by one down the trail to the next cluster of toyons.
I was struck on this hike by how much white pitcher sage I saw in clearings, soaking up the sun. The abundance of white pitcher sage and also chaparral currant seem to me to be a sign of the growing dominance of sub-shrubs in the Stebbins habitats, as the annuals start to be shaded out and we follow the ecological stages of plant succession after the fire.
I stopped for a captivating view with swaths of toyon, hairy-leaved ceanothus, and white pitcher sage. Below are some of the deposits left by mammals and a bird along that same stretch of trail.
I believe the galls I spotted on the interior live oak are made by the gouty oak gall wasp (Callirhytis sp.).
A clump of feathers in the grass at the side of the trail told the story of some kind of struggle, probably with a robin since they were so active and plentiful then. No sign of a body (or parts thereof), so either the bird escaped or the evidence was swallowed.
As I neared the end of my hike, I noticed the unmistakable red of a robin’s chest in the brush down the hill along the side of the trail. The still form looked so peaceful – no sign of predation or struggle. It was a moving end to the drama that the robins had provided all along my journey.
First pages in a new sketchbook are always exciting. This is my third sketchbook for Stebbins drawings; so far that’s a rate of 2 years per sketchbook. I was looking forward to some cooler fall weather on this visit and wanted to get to the Reserve before the onslaught of rain we were expecting. Thanks to a little rain a few days earlier, the mosses and lichens were activated and colorful.
I hiked up the trail toward Blue Ridge and stopped to draw a diagram (across a full spread, here in the pages above ∧ and below ∨) showing the zones of grassland (south-facing slopes) and chaparral (north-facing slopes) on Pleasants Ridge. I also noted seed pods of bush monkeyflower, reminding me a bit of corn still wrapped in dried husks. Hummingbirds caught my attention repeatedly, several times perching in trees near enough that I could watch their movements.
Chaparral currant was blooming in its beautiful bright pinks, always a nice contrast to the rest of the fall/winter vegetation. Chamise was luxurious on the hillside, with sandstone boulders scattered in between.
The vivid colors of the scene below with burnt blue oak, striking blue sky, and red and green toyon were crying out to be painted.
I stopped to try to capture the warm light on the Blue Ridge crest and was then drawn in completely by the lichens. The first were on boulders about half way down from the ridge:
I made a diagram of the spatial complexity of different species on a rock:
I got lost in a world of lichens on some fallen blue oak branches:
And then stopped for a last painting at a boulder in the creek at the crossing back to the trail to the parking lot.